Resume

OCCUPATION: Composer
EDUCATION

Academia di Santa Cecilia, Rome, 1971-1972.  

Berkshire Music Center, 1968.

M.F. A. Brandeis University, 1968.  

B.A. Bard College, 1965.

TEACHERS IN COMPOSITION

Godfreddo Petrassi: Academia di Santa Cecilia, Rome, 1971-1972.

Ernst Krenek: Berkshire Music Center, 1968.

Harold Shapero: Brandeis University, 1965-1968. Arthur Berger: Brandeis University, 1965-1968.

Jacob Druckman: Bard College, 1961-1965.

PRIVATE STUDY

Sarangi:, 

Ram Narayan, London and Bombay, 1972-1974. .San Francisco,  1978.

Violonello, 

Guiseppe Selmi,, Rome, 1971-1972.   

Peter Rosenfeld, cello, New York City, 1968-1970.

Louis Garcia-Renard, cello, Bard College, 1964-1965.

HONORS AND AWARDS: Meet the Composer Fund Award, 1990, 1995, 1996, 2002.

SOS Grant/East End Arts Council & New York Foundation for the Arts

“95, ‘98, ‘99, ‘02.

American Composers Forum Commission (350th Anniversary of East Hampton), ‘98.

Timeline Suffolk Decentralization Grant, 1998.

Meet the Composer/Composer in Residence, 1995.

NEA/Artist as Producer of New American Works Award, 1989.

CAP Award, 1987, 1990, 2002.

Fulbright Fellowship, Rome, 1971.

Composer’s Forum, New York City, 1970.

BMI Student Composer’s Award, 1968 & 1969.

Fellowship, Berkshire Music Center, 1968.

The Joseph H. Bearns Prize of Colombia University, 1968.

Fellowship, Bennington Composer’s Conference, 1967.

Samuel Wechsler Music Award, 1967.

Graduate Fellowship, Brandeis University, 1965-1968.

RECORDINGS

NEW WORLD RECORDS 80537-2.  

THE MUSIC OF ERIC ZANN, Thomas Buckner, baritone.

WHO SAYS WORDS, Thomas Buckner, baritone, Michael  Finckel, cello.

FOUR FOR TOM, Thomas Buckner, baritone; Joseph Kubera, piano.

INDIAN WELLS, Joseph Kubera, piano.

RABBI NATHAN’S PRAYER, Elizabeth Farnum, soprano, Gregor Kitzis, violin.

OPUS ONE 140. 

TREES AND OTHER INCLINATIONS, Nils Vigeland, piano;

THE WHEELS OF EZEKIEL, Max Lifchitz conducting the North/South Consonance.

CRI 498.

THE SONG OF THE REED

MY LOVE MAKES ME LONELY

OVE, THE HIEROPHANT;

Phyllis Bryn-Julson, soprano, Arthur Weisberg, conductor.

SELECT PRESS: Anne Midgette, The New York Times, 6/25/02 “Telling a Very Old Story, Tossing Pages to the Wind

Jeffrey Obser, The East Hampton Star, 11/25/99 “A Composer’s Spritual Quest.”

Alvaro Bertrand, The East Hampton Star, May 15, 1997. “New Music Performed.”

Allan Kozinn, The New York Times, 11/22/90.  “‘Tibetan Dreams,’ New Stephen Dickman Opera.”

Herbert Lindenberger, THE HISTORY IN LITERATURE: VALUE, GENRE, INSTITUTION. Columbia University Press 1990.

Fred Volkmer, The Southampton Press, 4/21/89. “Opera Reflects a Major Talent.”

Raphael Ardeo, Ear Magazine, April 1989.  “Or am I Dreaming.”

Barbara Delatiner, The New York Times, 15 November 1989. “New Opera Premiere.”

Aileen Jacobson, Newsday, 11/15/88. “Try Humming a Bit of a Tibetan Dream.”

Ovation Magazine, “Phyllis Bryn-Julson’s Artistry in the Contemporary Art Song.”

High Fidelity-Musical America, “The Latest from CRI.”

Fanfare Magazine, May/June 1984.